Fly on the Wall is a vibrant mixed-media artwork that brings together portraiture, pattern, nature, and intricate hand-work. A richly detailed figure emerges against a kaleidoscopic landscape of peacock-like forms, organic textures, bold checks, and luminous colour. The work combines gouache and oil pastels with delicate brass elements and organic materials, creating a tactile surface that rewards closer looking. Playful yet contemplative, the composition explores the relationship between the human figure and the fantastical world that surrounds it.

In the Early Evening is a tall, atmospheric landscape that captures the transition between daylight and night. A glowing sun or moon hangs over a richly coloured landscape, while twisting vegetation and organic forms create a sense of depth and movement. The narrow vertical format gives the scene the quality of a distant, unfolding world—quiet, mysterious, and slightly surreal. Deep blues, greens, oranges, and reds heighten the feeling of an imagined landscape suspended between reality and dream.

bloomscrolling amongst the weeds turns its attention to the overlooked flora that grows beyond the cultivated garden. A series of close-up botanical photographs traces the varied shapes, colours, and fleeting beauty of wild growth, while hand embroidery introduces an additional layer of movement and tactility. Suspended from teak wood, the work recalls a traditional scroll while reimagining it as a contemporary record of everyday botanical encounters. It is a celebration of the beauty that persists without cultivation, care, or permission.

Symbiosis brings together a collection of fantastical, organic forms that appear to exist in an interconnected ecosystem. Set against a luminous yellow ground, the unusual creatures and flowing shapes seem to merge and coexist, blurring the boundaries between plant, animal, and imagined life forms. Bold outlines, vivid colours, and playful patterns create a sense of movement and energy within the composition. The work evokes the idea of mutual dependence and coexistence, suggesting a world in which different forms of life are connected and thrive alongside one another.

Treasure Hunt is a surreal exploration of the strange and beautiful things we discover when we look a little closer. A dreamlike figure sits within a world of vibrant flowers, fluid forms and unexpected colours, creating a composition that feels both playful and otherworldly. The layered use of gouache and colour pencil gives the work a tactile, hand-drawn quality, balancing bold colour with intricate details.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Happy / Sad, in your Hand is a playful reflection on the emotional duality we carry with us. Two hand mirrors become vessels for contrasting moods—one happy, one sad—while their imperfect, textured surfaces and scattered crystals add a sense of tenderness and humour to the work. The mirrors invite us to look at ourselves while also questioning what we see. With their little resin teeth appearing almost like smiles, the familiar object becomes something slightly strange and characterful.

Prickly transforms the familiar form of a vase into something wild and almost otherworldly. Its irregular silhouette is covered in sharp, organic protrusions, while the Raku firing creates a richly textured surface with deep, shifting tones. Equal parts functional object and sculptural piece, Prickly brings an unexpected edge to the traditional idea of a decorative vase.

Earth centres on a monumental, ancient-looking tree whose twisting branches extend across a vivid pink landscape. The tree becomes both a physical presence and a symbolic anchor, with small birds and leaves inhabiting its sprawling form. The incorporation of actual earth into the work introduces a tactile connection between material and subject, grounding the fantastical landscape in the physical world. Through its unusual colours and exaggerated organic forms, Earth evokes ideas of resilience, interconnectedness, and the enduring presence of nature.

bloomscrolling in the veggie garden presents a vertical sequence of botanical photographs gathered from the vegetable garden. Arranged like a visual scroll, each image records a different flower or moment of bloom, creating a quiet rhythm of colour, texture, and form. Hand embroidery adds an organic thread through the photographic sequence, while the teak-wood hanging structure and beeswax finish give the work the character of a tactile, handmade object. The piece becomes both a botanical archive and an invitation to slow down and notice what is flowering around us.