In the Early Evening is a tall, atmospheric landscape that captures the transition between daylight and night. A glowing sun or moon hangs over a richly coloured landscape, while twisting vegetation and organic forms create a sense of depth and movement. The narrow vertical format gives the scene the quality of a distant, unfolding world—quiet, mysterious, and slightly surreal. Deep blues, greens, oranges, and reds heighten the feeling of an imagined landscape suspended between reality and dream.

Earth centres on a monumental, ancient-looking tree whose twisting branches extend across a vivid pink landscape. The tree becomes both a physical presence and a symbolic anchor, with small birds and leaves inhabiting its sprawling form. The incorporation of actual earth into the work introduces a tactile connection between material and subject, grounding the fantastical landscape in the physical world. Through its unusual colours and exaggerated organic forms, Earth evokes ideas of resilience, interconnectedness, and the enduring presence of nature.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Dew Drops is a sculptural ceramic vase inspired by the fluidity of natural forms. Its rounded, flowing body is punctuated by organic shapes and subtle protrusions, creating the feeling of something grown rather than made. The Raku-fired finish adds depth and variation to the surface, allowing the piece to shift between earthy, metallic and iridescent tones.

River Beneath The River I & II is a sculptural exploration of water, movement and the spaces that exist beneath the surface. The two suspended forms mirror and complement one another, combining geometric structures with elongated, flowing elements that evoke the movement of a river. Made from paper, bamboo and cotton thread, the works balance delicacy and structure, creating an almost weightless presence that shifts with light and shadow.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Treasure Hunt is a surreal exploration of the strange and beautiful things we discover when we look a little closer. A dreamlike figure sits within a world of vibrant flowers, fluid forms and unexpected colours, creating a composition that feels both playful and otherworldly. The layered use of gouache and colour pencil gives the work a tactile, hand-drawn quality, balancing bold colour with intricate details.

The microcosmos series explores the quiet intricacies of the natural world through close observation of seemingly ordinary plants and flowers. Each work combines a digital photograph with delicate hand embroidery, allowing the stitched lines to extend, echo, and reinterpret the organic forms within the photographic image. microcosmos I (little ironweed), microcosmos II (radish blossom), and microcosmos III (cat’s ear) draw attention to plants that are often overlooked, whether growing in a garden, amongst other vegetation, or considered weeds. Through the intimate scale of the photographs and the tactile quality of the embroidery, these small botanical encounters are transformed into imagined landscapes or miniature worlds. The series reflects on the beauty found in the unnoticed and ephemeral, inviting the viewer to pause and look closely at the complexity contained within even the most familiar forms of plant life.

Portrait of a Lady is a striking contemporary portrait defined by bold colour and stylised form. The figure’s luminous yellow-green complexion contrasts dramatically with deep blue hair and a vivid red garment, creating an arresting visual presence. Intricate, sculptural lines shape the hair and frame the face, giving the portrait an almost fantastical quality. Rather than pursuing conventional realism, the work uses colour, geometry, and expression to create a character that feels both familiar and otherworldly.

The Ungrateful Reptile & The Flaky Butterfly is a self-portrait of Akshara and Prakruthi as they see themselves in 2026. Two unlikely characters, hanging out together and moving through the world with curiosity, wonder and a little bit of chaos. Made from a playful mix of discarded and repurposed materials, the work reflects their shared fascination with everything around them—figuring things out as they go, enjoying the strange, ordinary and unexpected moments along the way.