River Beneath The River I & II is a sculptural exploration of water, movement and the spaces that exist beneath the surface. The two suspended forms mirror and complement one another, combining geometric structures with elongated, flowing elements that evoke the movement of a river. Made from paper, bamboo and cotton thread, the works balance delicacy and structure, creating an almost weightless presence that shifts with light and shadow.

Horned Lady depicts a fantastical female figure through an expressive combination of vivid colour, graphic line, and stylised form. The prominent horns and luminous facial features give the character a mythical presence, while the intense palette creates a sense of mystery and energy. Small in scale but visually commanding, the work feels like a glimpse into an imagined world populated by unconventional, dreamlike characters.

The Centre Holds & North Star brings together two sculptural works exploring ideas of balance, direction and connection. Built from paper, bamboo and cotton thread, the works use geometric forms, radiating lines and suspended structures to create a dialogue between tension and stillness. Their vibrant colours and delicate frameworks interact with the surrounding space, while the shadows they cast become an extension of the works themselves.

Happy / Sad, in your Hand is a playful reflection on the emotional duality we carry with us. Two hand mirrors become vessels for contrasting moods—one happy, one sad—while their imperfect, textured surfaces and scattered crystals add a sense of tenderness and humour to the work. The mirrors invite us to look at ourselves while also questioning what we see. With their little resin teeth appearing almost like smiles, the familiar object becomes something slightly strange and characterful.

Dew Drops is a sculptural ceramic vase inspired by the fluidity of natural forms. Its rounded, flowing body is punctuated by organic shapes and subtle protrusions, creating the feeling of something grown rather than made. The Raku-fired finish adds depth and variation to the surface, allowing the piece to shift between earthy, metallic and iridescent tones.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Treasure Hunt is a surreal exploration of the strange and beautiful things we discover when we look a little closer. A dreamlike figure sits within a world of vibrant flowers, fluid forms and unexpected colours, creating a composition that feels both playful and otherworldly. The layered use of gouache and colour pencil gives the work a tactile, hand-drawn quality, balancing bold colour with intricate details.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Garden Bouquet imagines a garden where flowers, organic forms and strange little creatures exist in a world of their own. Rich earthy tones are contrasted with bursts of vivid pink, blue, yellow and red, creating a composition that feels whimsical and slightly surreal. Built through expressive gouache and colour pencil, the artwork celebrates the unruly beauty and unexpected forms found in nature.

The microcosmos series explores the quiet intricacies of the natural world through close observation of seemingly ordinary plants and flowers. Each work combines a digital photograph with delicate hand embroidery, allowing the stitched lines to extend, echo, and reinterpret the organic forms within the photographic image. microcosmos I (little ironweed), microcosmos II (radish blossom), and microcosmos III (cat’s ear) draw attention to plants that are often overlooked, whether growing in a garden, amongst other vegetation, or considered weeds. Through the intimate scale of the photographs and the tactile quality of the embroidery, these small botanical encounters are transformed into imagined landscapes or miniature worlds. The series reflects on the beauty found in the unnoticed and ephemeral, inviting the viewer to pause and look closely at the complexity contained within even the most familiar forms of plant life.