River Beneath The River I & II is a sculptural exploration of water, movement and the spaces that exist beneath the surface. The two suspended forms mirror and complement one another, combining geometric structures with elongated, flowing elements that evoke the movement of a river. Made from paper, bamboo and cotton thread, the works balance delicacy and structure, creating an almost weightless presence that shifts with light and shadow.

Thorned Beauty explores the contrast between delicacy and defence. The sculptural ceramic form is intentionally raw and organic, its thorn covered body holding a delicate arrangement of flowers at its centre. The contrast between the fragile blooms and the rugged, protective exterior gives the piece its character beautiful, strange and unapologetically imperfect. The Raku fired finish further enhances its earthy, tactile quality.

Prickly transforms the familiar form of a vase into something wild and almost otherworldly. Its irregular silhouette is covered in sharp, organic protrusions, while the Raku firing creates a richly textured surface with deep, shifting tones. Equal parts functional object and sculptural piece, Prickly brings an unexpected edge to the traditional idea of a decorative vase.

Portrait of a Lady is a striking contemporary portrait defined by bold colour and stylised form. The figure’s luminous yellow green complexion contrasts dramatically with deep blue hair and a vivid red garment, creating an arresting visual presence. Intricate, sculptural lines shape the hair and frame the face, giving the portrait an almost fantastical quality. Rather than pursuing conventional realism, the work uses colour, geometry, and expression to create a character that feels both familiar and otherworldly.

Things We Put in Our Hair is a delicate brass work inspired by the small, personal objects and adornments we use to express ourselves. Fine wire-like forms, whimsical motifs, and organic silhouettes come together in a composition that feels both sculptural and ephemeral. The subtle warmth of brass gives the piece an understated elegance, while its playful forms invite associations with jewellery, hair ornaments, insects, creatures, and fragments of memory. Designed to be appreciated up close, the artwork celebrates the beauty found in everyday rituals of adornment. A charming collectible for those who appreciate handcrafted brasswork, intimate storytelling, and contemporary objects with a sense of whimsy.

Created as part of the JOY exhibition in New Delhi, these limited-edition canvas totes bring the exhibition’s playful visual language into everyday life. Featuring the distinctive JOY graphic in bold, vibrant colours, the totes turn a simple everyday essential into a wearable piece of the exhibition. Designed to be practical, reusable, and easy to carry, they are made for everything from gallery visits and coffee runs to books, groceries, and daily essentials.

Dew Drops is a sculptural ceramic vase inspired by the fluidity of natural forms. Its rounded, flowing body is punctuated by organic shapes and subtle protrusions, creating the feeling of something grown rather than made. The Raku fired finish adds depth and variation to the surface, allowing the piece to shift between earthy, metallic and iridescent tones.

Happy / Sad, in your Hand is a playful reflection on the emotional duality we carry with us. Two hand mirrors become vessels for contrasting moods one happy, one sad while their imperfect, textured surfaces and scattered crystals add a sense of tenderness and humour to the work. The mirrors invite us to look at ourselves while also questioning what we see. With their little resin teeth appearing almost like smiles, the familiar object becomes something slightly strange and characterful.