Sculptural Installation by Nagesh Kanade
by Nagesh Kanade
Aurangabad
Project Description
I plan to create a series of works depicting the historical monuments of Aurangabad using mixed media. These works will serve as reflections of memory, archives, urban transformation & identity.
Expected Impact
Aurangabad, a significant city in Indian history, was once the capital of the Deccan region during the Mughal period, known for its trade, culture, and architectural heritage. The city once had over 48 gates and several palaces, but many have disappeared over time, while the remaining structures struggle to survive. My project will not only explore this history but also examine the local social and political structures that have influenced these changes. I am interested in moving beyond dominant, linear state narratives to uncover multiple perspectives on history and heritage. Through this project, I hope to spark meaningful conversations about our collective past and its relevance today. I see this project as an opportunity to experiment with new materials and techniques, pushing beyond traditional mediums to refine my artistic voice. My works will provoke viewer to introspect our action as responsible citizen and it will start new discussions on the heritage of the Deccan region, particularly Aurangabad.
Applicant Background
Over the years, my work has naturally gravitated toward exploring history, memory, and the passage of time—especially through sculpture and mixed media. Growing up in Aurangabad, I’ve always felt a deep connection to the city’s historical sites, and that personal relationship has shaped my practice. I’ve created sculptures inspired by old architectural forms, using materials like stone, clay, and found objects to reflect themes of decay, preservation, and change. I’ve also worked on projects that involved observing and responding to my surroundings—whether through site-specific installations or community-based artworks. These experiences taught me how to turn everyday observations and local stories into something visual and meaningful. Alongside sculpture, I’ve experimented with drawing, photography, and video, which has helped me explore my ideas in more layered and flexible ways. My formal training in fine arts has given me a solid understanding of materials and concepts, but what really drives my work is curiosity—about the past, about place, and about how stories survive over time. I feel ready to take on this project because it’s a natural extension of what I’ve been doing, but also a chance to push myself further, both creatively and personally.
Resources Needed
- Funding
- Mentorship
- Visibility
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